Imagine the magic of the stage intertwining with the miracles of real life in the most heartwarming way possible—that's the fairy tale unfolding for one lucky couple in the world of pantomime. But here's where it gets truly enchanting: they're not just returning to the spotlight; they're bringing a brand-new star into the fold, quite literally.
For those new to the charm of pantomime—think lively, family-friendly musical theater with slapstick humor, singing, and audience participation—it's like a holiday tradition come to life. And for actors Shay Carry and Vicky Kenny, it's become a personal tradition that keeps getting sweeter. Last year, these two lovebirds, who met during panto rehearsals, made headlines when Shay popped the question right on stage during their Beauty and the Beast production at the TLT venue in Drogheda, Co. Louth. The Fairy Godmother said yes to her Gaston amid cheers and fairy dust (or at least the theatrical equivalent).
Fast-forward a whirlwind 12 months, and the pair are back at the same theater, this time starring in Robin Hood. But hold onto your hats—this isn't just a sequel; it's a sequel with a twist, and this is the part most people miss out on the joy of: Vicky is six months pregnant and stealing the show as 'Little June,' a clever gender swap from the traditional 'Little John' role, while Shay reprises his spot as the Dame.
'We're expecting a baby, but fingers crossed, not right here on stage!' the couple joked, their laughter echoing through the theater. It's been a rollercoaster year—from that surprise engagement to now sharing the news of their little one due in March, plus wedding bells planned for October. They couldn't resist dipping their toes (or in this case, Vicky's rounded belly) back into the pantomime world, introducing their future family to the bliss of the stage.
To top it off, they adapted the script on the fly, turning Little John into Little June—a fun nod to Vicky's pregnancy that keeps the show engaging and inclusive. And for anyone wondering how this all ties back to their magical proposal, let's rewind to that unforgettable 2024 finale. Shay surprised Vicky (and the 715-strong audience) by having her read a heartfelt message:
'Today at this theatre, we have two extraordinary people who are at the heart of the TLT production. In the world of live theatre, some moments unfold by chance, while others are destined to be. She began with an evil streak, and soon her magic shone through. I will always love you now and forever from this moment.'
As the curtains parted, there was Shay on bended knee, ring in hand, against a backdrop proclaiming 'Will you marry me, Vicky?' The entire cast erupted in applause, turning the wrap-up party into an impromptu engagement bash.
Now, here's a point that might spark some debate: Is blending real-life family milestones—like pregnancies and proposals—into scripted performances a stroke of genius or a risky gamble that blurs the lines between fantasy and reality? Some might argue it adds authentic warmth and relatability, making theater feel more like a shared community story. But others could see it as potentially distracting or even unfair to other cast members. And what about the gender role flip—transforming Little John into Little June? Is this a progressive celebration of inclusivity, adapting stories for modern times, or does it dilute the original charm? We think it's a delightful evolution, but we'd love to hear your take.
What do you think—should actors bring their personal lives center stage, or keep the magic purely fictional? Share your thoughts in the comments below; do you agree it's heartwarming, or does it cross a line?
